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Dating early pantograph

The finish is original and in good conditions, with some checking and heavy wear on the back, which goes down to the wood. The wear-pattern and a small additional plugged hole from another strap-button on the lower horn, reveal that the previous owner was left-handed and used the guitar upside-down, la Hendrix.

All the parts are original: bridge, tuners, circuitry, staggered-pole pickups, potentiometers, three-way selector switch, plastic parts, etc.

Gorgeous sunburst finish in excellent condition, just some belt-buckle wear and fading of the red beneath the right arm, and a few scratches and dings on the body edges (all shown in pictures), but I'd conservatively rate this guitar's condition as an Excellent plus.Light alder body, three-bolt and 'tilt-neck adjustment' maple neck, large headstock with black logo.Black is one of the most sought-after custom colors, since Jimi Hendrix often used black Strats with large headstocks.The three-way switch currently installed is new (but with the old original tip), but the original one is in the case, it's broken and I don't know if it can be fixed - but I think it's not impossible.Everything else is 100% original, including pots, screws, knobs, tremolo arm, bridge and saddles, spring-cover on the back. The flamed neck makes this old Strat really special.Very nice look, the body has a beautiful finish and wood-grain.The weight is acceptable if compared to other ash-bodied Strats from the same era. Smooth action, frets and fretboard are in excellent shape.The guitar comes with its original hardshell case, which in perfect conditions as well.Another great Fullerton-era Stratocaster, in perfect and all-original conditions, in one of the rarest and most sought-after custom finishes: Lake Placid Blue.The sound is great, hot and well-balanced, with the right amount of grit you'll expect from a '50s maple-neck Strat.Another wonderful Pre-CBS Strat, with an incredible flamed maple neck with brazilian rosewood board and clay dots.

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